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‘Village Rockstars 2’: Busan Review
Rima Das returns to rural Assam to follow-up her 2017 docu-drama
‘Tale Of The Land’: Busan Review
The ongoing battle for Indigenous lands in Borneo informs this slow-burn debut
‘MA - Cry Of Silence’: Busan Review
A young textile worker in Myanmar struggles to find her voice against a backdrop of political unrest
‘Serpent’s Path’: Busan Review
Kiyoshi Kurosawa updates his 1998 crime thriller and moves the action from Tokyo to France
‘Kaneko’s Commissary’: Busan Review
Super Eight’s Ryuhei Maruyama stars in this ‘plodding’ prison drama from Japan
‘Travesty’: Busan Review
A city cop finds himself cast adrift in this pointedly political Mongolian hostage thriller
‘Pooja, Sir’: Hamburg Review
A police officer struggles to solve a kidapping case within Nepal’s disenfranchised Madhesi community
‘Uprising’: Busan Review
Busan opens with a sweeping Netflix period actioner co-written by Park Chan-wook
‘Edge Of Night’: Hamburg Review
A confident debut from Cologne-born director Türker Süer marks the director out as a talent to watch
‘Of Dogs And Men’: Hamburg Review
Dani Rosenberg’s docufiction captures the aftermath of the October 7, 2023 Hamas attack on Israel
‘Nickel Boys’: Review
RaMell Ross adapts Colson Whitehead’s novel of southern racism and abuse in a boys penitentiary
’Marco’: San Sebastián Review
Eduard Fernandez grounds this Incredible true-life story of a fake Holocaust survivor that closes San Sebastian
‘The Last Breath’: San Sebastian Review
Costa-Gravas deals with death in this wordy philosophical drama
‘The Wailing’: San Sebastian Review
A mysterious entity stalks three young women in this effective Spanish-language horror debut
‘The Man Who Loved UFOs’: San Sebastian Review
Diego Lerman’s based-on-real-life dramedy stars Leonardo Sbaraglia as a TV reporter gone rogue
‘Modi - Three Days On The Wings Of Madness’: San Sebastian Review
Johnny Depp directs a chaotic romp through three days in the life of Italian artist Amedeo Modigliani
‘Bound In Heaven’: San Sebastian Review
Veteran screenwriter Huo Xin makes her directorial debut with a genre-infused drama about domestic abuse
‘Afternoons Of Solitude’: San Sebastian Review
Albert Serra’s immersive, unflinching documentary follows Peruvian bullfighter Andrés Roca Rey
‘On Falling’: San Sebastian Review
A Portugese factory worker in Scotland struggles to make a connection in this effective debut
‘When Fall Is Coming’: San Sebastián Review
Francois Ozon is in fine fettle for this later-life puzzle piece starring Helene Vincent
‘Hard Truths’: San Sebastián Review
Mike Leigh bites back with this trenchant piece starring a superb Marianne-Jean Baptiste
‘Emmanuelle’: San Sebastian Review
Audrey Diwan presents a ‘paralysingly pointless’ update of the 70s soft-porn figure
‘They Will Be Dust’: Toronto Review
Toronto Platform winner is a dance about death and a suicide pact between a theatrical couple
‘Speak No Evil’: Review
A full-throttle performance from James McAvoy drives Blumhouse’s remake of the 2022 Danish horror
‘The Fire Inside’: Toronto Review
Barry Jenkins scripts cinematographer-turned-director Rachel Morrison’s dynamic portrait of Black female boxer Claressa Shields
’How To Make Millions Before Grandma Dies’: Review
A young man forges a fresh relationship with his ailing grandmother in this Thai box office sensation
‘The Wild Robot’: Toronto Review
Lupita Nyong’o and Pedro Pascal lend their voices to this gorgeous animation about a robot finding her place in the world
‘Blue Road’: Toronto Review
Sinead O’Shea’s spirited documentary is a fitting tribute to Irish author Edna O’Brien
‘Harbin’: Toronto Review
Hyun Bin is a soldier embarking on a suicidal mission in early 20th century Korea in Woon Min-ho’s stylish period actioner
‘The Return’: Toronto Review
Ralph Fiennes and Juliette Binoche reunite for this restrained retelling of Homer’s Odyssey
‘The Assessment’: Toronto Review
Elizabeth Olsen and Alicia Vikander head this dystopian drama in which parenthood really is a test
‘Bring Them Down’: Toronto Review
Christopher Abbott and Barry Koeghan embark on a dangerous rivalry in this rural-Ireland set debut
‘Better Man’: Toronto Review
Robbie Williams gets an inventive biopic treatment by The Greatest Showman’s Michael Gracey
‘Shell’: Toronto Review
Elisabeth Moss and Kate Hudson will do anything to stay beautiful in Max Minghella’s body horror
‘Relay’: Toronto Review
Riz Ahmed and Lily James star in David Mackenzie’s cool whistleblowing drama
‘Heretic’: Toronto Review
Hugh Grant plays a game of cat-and-mouse with two young Mormon missionaries in this verbose A24 chiller
‘Conclave’: Toronto Review
Ralph Fiennes, Stanley Tucci and John Lithgow jostle for the Vatican’s top job in this pulpy Robert Harris adaptation
‘On Swift Horses’: Toronto Review
Jacob Elordi and Daisy Edgar-Jones push against traditional boundaries in this slow-burn 1950s-set noir-western
‘Unstoppable’: Toronto Review
Jharrel Jerome plays real-life wrestler Anthony Robles in William Goldberg’s solid directorial debut
‘Eden’: Toronto Review
Ron Howard turns to the dark side with this star-studded true story of an island utopia gone bad starring Jude Law and Ana de Armas
‘Nightbitch’: Toronto Review
Amy Adams takes a walk on the wild side in Marielle Heller’s story of a woman who is going to the dogs
‘The Penguin Lessons’: Toronto Review
Steve Coogan plays real-life English teacher Tom Michell who adopted a penguin in 1970s Argentina
‘Horizon: An American Saga - Chapter 2’: Venice Review
The wagons just keep rolling in the second chapter of Kevin Costner’s mythical Western epic
‘Elton John: Never Too Late’: Toronto Review
Disney’s Elton John documentary fails to hit the high notes
‘Don’t Let’s Go To The Dogs Tonight’: Toronto Review
Actor Embeth Davidtz makes her directorial debut with this adaption of a memoir set in racist 1980s Rhodesia
‘The Last Showgirl’: Toronto Review
Pamela Anderson enters the awards conversation as an ageing Vegas showgirl in Gia Coppola’s third feature
‘We Live In Time’: Toronto Review
Florence Pugh and Andrew Garfield headline John Crowley’s time-hopping relationship tearjerker
‘Sharp Corner’: Toronto Review
Ben Foster teams up with ’Blackbird’ director Jason Buxton to deliver this portrait of a ‘compelling non-entity’
‘The End’: Toronto Review
Joshua Oppenheimer’s first drama is a singular musical which details how one family passes through the end of the world
‘The Time It Takes’: Venice Review
Francesca Comencini’s autobiographical drama explores her relationship with her filmmaker father Luigi