The Five Women Who Started a Secret Theater Society
Years before they ascended to influential leadership roles, they worked at the Public Theater and became cheerleaders for each other’s professional dreams.
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![In the 2010s, when these friends formed a professional alliance, ambition was a loaded word. Standing, from left, Shanta Thake, Meiyin Wang and Stephanie Ybarra. Front row, seated, Maria Goyanes and Lear deBessonet.](https://static01.nyt.com/images/2024/06/30/multimedia/30theater-women-bvjc/30theater-women-bvjc-thumbLarge.jpg?auto=webp)
![In the 2010s, when these friends formed a professional alliance, ambition was a loaded word. Standing, from left, Shanta Thake, Meiyin Wang and Stephanie Ybarra. Front row, seated, Maria Goyanes and Lear deBessonet.](https://static01.nyt.com/images/2024/06/30/multimedia/30theater-women-bvjc/30theater-women-bvjc-threeByTwoMediumAt2X.jpg?auto=webp)
Years before they ascended to influential leadership roles, they worked at the Public Theater and became cheerleaders for each other’s professional dreams.
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Under its new director, the event is shining a spotlight on countries and performers rarely represented on the biggest European stages.
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Tiago Rodrigues said the Avignon Festival, which he leads, would become “a festival of resistance,” juggling activism with the premiere of a new play.
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Easygoing days of drama and comedy are just a few hours away (or even closer) in New York, Connecticut and Massachusetts.
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Brooke Shields Has Worn Many Hats. Now She’s a Labor Boss.
The model-turned-actress-turned-businesswoman is the new president of Actors’ Equity. In an interview, she explained what she’s doing there.
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Shay Youngblood, Influential Author and Playwright, Dies at 64
She wrote memorably about her upbringing by a circle of maternal elders and the life lessons they imparted, and of her yearning for the mother she lost.
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‘Starlight Express’ Review: The Gravy Train Rolls On
Nostalgia will undoubtedly lure many to a London revival of the Andrew Lloyd Webber musical. It has more in common with a theme park than with theater, our critic writes.
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Review: ‘Dämon: El Funeral de Bergman’ Brings Electricity to Avignon
The Spanish director and performer Angélica Liddell elicited a standing ovation at the Avignon Festival in spite of her attacks on critics.
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Where Can Sondheim’s Operatic Musicals Find a Home?
Jonathan Tunick, Stephen Sondheim’s longtime collaborator, unveiled a grand orchestration of “A Little Night Music” that deserves more than a concert.
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The playwright Jeremy O. Harris’s “Slave Play. Not a Movie. A Play.” wears its intellectual references on its sleeve.
By Annie Aguiar
Is moral leadership possible without parliamentary power? Two very familiar congresswomen battle it out onstage.
By Jesse Green
The organization, which won this year’s best play revival Tony Award for “Appropriate,” has chosen Evan Cabnet as its next artistic director.
By Michael Paulson
“BOOP! The Betty Boop Musical” had a run in Chicago last year. It is slated to open at a Shubert theater in April.
By Michael Paulson
“The Who’s Tommy,” which has a rock score by Pete Townshend, will end on July 21. A national tour is in the works.
By Michael Paulson
The awards, which celebrated excellence in high school musical theater on Monday, have become a launchpad for future stars and Tony nominees.
By Elisabeth Vincentelli
Elevator Repair Service’s staged reading of the huge James Joyce novel retains much of its humor, pathos and bawdiness.
By Jesse Green
A family gathering fuels Crystal Finn’s new play, in which an excellent cast teases out the many complications of inheritance.
By Elisabeth Vincentelli
The play will be produced by Second Stage, which is also planning an Off Broadway production of a two-character drama by Donald Margulies.
By Michael Paulson
British theater recommendations for visitors and residents of all ages — and inclinations.
By Matt Wolf
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