University of Oxford
Film Aesthetics
A review of Alejandro González Iñárritu's 'Birdman' (2014) that focuses on the film's aesthetics and on the long take specifically.
Published in the Journal of American Studies of Turkey (ISSN: 1300-6606), issue 41 (spring 2015)
Published in the Journal of American Studies of Turkey (ISSN: 1300-6606), issue 41 (spring 2015)
Any examination of taste, philosophical, analytical, and theoretical as it might want to be, cannot do without a detour to the author’s autobiographical past. Understanding taste turns out to be an unsurprisingly personal matter, one that... more
Kiyoshi Kurosawa's hypnosis-thriller Cure (1997) is, despite its title, a film concerned less with disease or its treatment than the invisible, unpredictable processes through which the contagious passes from body to body, from subject to... more
Humanitarian organizations, journalists, and artists are increasingly turning to virtual reality (VR) and immersive filmmaking because of its ostensibly unprecedented ability to conjure empathic feelings that lead to humanitarian action.... more
Undergraduate dissertation for Goldsmiths, University of London Fine Art course, submitted in 2015. The essay's central concern is: How can Abdellatif Kechiche 2013 film "Blue is the Warmest Colour" be considered as a film that is... more
This paper was originally presented at the Film-Philosophy Conference, 4-6 July 2017, Lancaster University as part of the Contemporary USA Panal. The paper defends and praises Terrence Malick's 2015 film "Knight of Cups", and argues that... more
How do we understand contemporary identity-politics and in which ways does this rhetorical trend mimic certain tropes from neoliberalism? This paper argues that despite social intentions, the rhetoric of identity-politics reflect... more
In Denis Villeneuve’s 2017 film Arrival, twelve alien pods land across the world. In focusing on the experience of linguist Louise Banks (Amy Adams) as she learns to decode the alien language, the film explores cinematic representations... more
Book review of Matthew Holtmeier's Contemporary Political Cinema (2019), published in Film-Philosophy journal
Book review of Lars von Trier’s renewal of film 1984–2014: signal,pixel, diagramby Bodil Marie Stavning Thomsen, Aarhus, Aarhus University Press, 2018,350 pp., £24.99 (paperback), ISBN 978-8-7718-4230-2
Book review of Ian Parker and David Pavón-Cuéllar, Psychoanalysis and Revolution: Critical Psychology for Liberation Movements, 1968 Press, 2021 for Penumbr(a): A Journal of Psychoanalysis and Modernity, No. 2: Beauty, edited by Marta... more