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Qui Parle, 2001
Page 1. FASCISM, GENDER, AND CULTURE Ara H. Merjian In the wake of a post-World War II, leftist intellectual reckoning which needed to distance its politically suspect forebears, the no tion that fascist ideologues permitted - indeed encouraged - di ...
(Bachelor's Degree Thesis, 2020, written for my bachelor's degree in International Studies - Politics and International Organizations at University of Trento. Please take it as inspiration but not as bibliographic reference) This final paper seeks to investigate the origins of patriarchy, defined as a system of social structures, and practices in which men dominate, oppress and exploit women. It shall be argued that patriarchy has its ultimate origins in male violence and later in history it was enforced firstly by the early institution of kinship, and secondly by the modern institution of state. The analysis of the institutional context within which patriarchy was established represents the key to understanding why it affects indiscriminately both the private and the public sphere.
Sociology International Journal, 2022
In this article, I, using Paul C. Mocombe's structurationist theory of phenomenological structuralism against feminist theories, put forth the argument that the third wave (1990 to the present) of feminine activism against the Protestant Ethic and the spirit of capitalism has given rise to feminine patriarchy, the push by women for equality of opportunity, recognition, and distribution with their white male counterparts by recursively organizing and reproducing the patriarchy of the society, which is institutionalized as the nature of reality as such, in a genderless position of their own. Hence, women have pushed for integration and equality in the Protestant Ethic and the spirit of capitalism as gender neutral agents of the protestant ethic against any other alternative forms of system or social integration, which renders their historical activism dialectical, oppressive, and exploitative; they, paradoxically, reify, commodify, and glorify their sexual female identity as feminine men.
International and Public Affairs, 2021
This paper explores continuation of the patriarchal beliefs from 19 th century until the post-modern age. It tries to find a similarity between the methods of control in the two periods in order to support this argument; from 19 th century until the post-modern age a lot of changes happened in the social and cultural position of women, but the patriarchal beliefs remained the same. To do this investigation, this paper examines two feminist works, one of them from 19 th century, and the other one from modern age. From 19 th century this paper examines Charlotte Perkins Gilman's The Yellow Wallpaper, while in post-modern age it examinesMargaret Atwood's The Handmaid's Tale. Since the paper deals with a kind of power relationship between male and female, therefore, Michel Foucault's theories of power and control theorize the arguments.
Asian Studies Review, 2000
Antropologia em novos campos de atuação: debates e tensões, 2015
100 let založení muzea v Moravském Krumlově 1907-2007 (Přikrylová, L. - Hrbáčková, A., edd.), 2008
Current opinion in food science, 2019
Rev Cubana Hematol …, 2001
Acta Crystallographica Section E-structure Reports Online, 2010
Asian journal of multidisciplinary studies, 2020
MANFISH JOURNAL/Manfish Journal, 2023
The Astrophysical Journal, 1996