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Interviews

20 September 2024

  • Imogen Poots.

    ‘It’s normalised. I was gawping’: Imogen Poots on making a movie in the West Bank

  • Chappell Roan

    ‘Fame is like going through puberty’: Chappell Roan on sexuality, superstardom and the joy of drag

19 September 2024

  • ‘These were once crazy, speedy machines’ … a sliced-up V10 engine from an Audi RS 6 in Bircken’s Gebrochenes Pferd show.

    Wombs to vrooms: the artist who makes work out of old Audi parts – and her own placenta

  • David Edgar.

    David Edgar: ‘If you can only think yourself into the shoes you’re wearing it makes creating fiction impossible’

  • Liz Haigh-Reeve, leaning on a fence post with a field behind her in Kent.

    How we survive
    The rollercoaster I was on hurtled backwards and crashed. My friend didn’t make it – and my life changed for ever

  • Joe Lycett.

    Comedian turned artist Joe Lycett: ‘If it’s too earnest a painting, it’s a failure’

18 September 2024

  • ‘Drawing feels necessary right now’ … David and Liza with works from their show.

    ‘We live in heavy times’: David Dimbleby on making an art show with his daughter – and why the BBC ‘lost its will’

    During lockdown, the TV anchor and his artist daughter Liza expressed their fears by sending each other drawings rather than letters. As the exhibition this inspired opens, he talks about his favourite themes – war, torture, death – and why the BBC needs a full reset
  • Spell, 2024, by John Stezaker.

    ‘Violence and sacrifice are involved’: master collagist John Stezaker on his creepy creations

    He splices together old images and electrifies them into disturbing new life. The artist invites us to his studio to discuss drag shows, depression and David Hockney

    • Hendrix, Jagger, Bowie and me: Terry Reid, the British pop outlier adored by the greats

    • ‘My drag racing career is taking off’: a Paralympic hero’s next steps

    • Northampton’s Ollie Sleightholme: ‘Any free time, I’ll go fishing. All weather. My missus thinks I’m a bit weird’

17 September 2024

  • ‘I felt utterly at sea until I went into the plaster room. Things started then’ … Alison Wilding in her studio.

    Sculptor Alison Wilding: ‘Some of my works are very huggable. But I don’t want anyone else to touch them’

  • Giancarlo Esposito.

    ‘I was really desperate’: Giancarlo Esposito on Gus Fring, Sesame Street – and how he nearly hired a hitman

  • ‘We want mindless mayhem along with an element of sophistication’ … The Jesus Lizard. L-R: Duane Denison, David Yow, David Wm Sims and Mac McNeilly.

    ‘I love it when things get out of hand’: the return of outrageous 90s rockers the Jesus Lizard

  • Nigel Oddy, chief executive of American Golf.

    Observer business profile
    ‘We don’t want golf just to be for retired guys … it’s for everyone’: Nigel Oddy of American Golf

  • Rob Green: ‘I always want to bring a human element to my commentary’

  • ‘It’s an astonishingly fragile time’: Robert Peston on inequality, identity politics and how to heal Britain

  • Vimal Yoganathan: ‘I can’t remember any Tamil players growing up. It’s a problem’

16 September 2024

  • Tom Curry at the 2023 Rugby World Cup

    Tom Curry: ‘The surgeon said you are probably going to retire … I just cried’

  • ‘I could tell 10 jokes a minute’ … Sam White at Canada’s Stratford festival, 2024.

    From Salt-N-Pepa to Romeo and Juliet: how rap sparked Sam White’s passion for Shakespeare

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