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A cartoon is a type of visual art that is typically drawn, frequently animated, in an unrealistic or semi-realistic style. The specific meaning has evolved, but the modern usage usually refers to either: an image or series of images intended for satire, caricature, or humor; or a motion picture that relies on a sequence of illustrations for its animation. Someone who creates cartoons in the first sense is called a cartoonist, and in the second sense they are usually called an animator.

The concept originated in the Middle Ages, and first described a preparatory drawing for a piece of art, such as a painting, fresco, tapestry, or stained glass window. In the 19th century, beginning in Punch magazine in 1843, cartoon came to refer – ironically at first – to humorous artworks in magazines and newspapers. Then it also was used for political cartoons and comic strips. When the medium developed, in the early 20th century, it began to refer to animated films that resembled print cartoons. (Full article...)

John Leech, *Substance and Shadow* (1843), published as *Cartoon, No. 1* in *Punch*, the first use of the word cartoon to refer to a satirical drawing

In print media, a cartoon is a drawing or series of drawings, usually humorous in intent. This usage dates from 1843, when Punch magazine applied the term to satirical drawings in its pages,^[1] particularly sketches by John Leech.^[2] The first of these parodied the preparatory cartoons for grand historical frescoes in the then-new Palace of Westminster in London.^[3]

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Louis Riel is a 2003 historical biography in comics by Canadian cartoonist Chester Brown. It deals with the relationship of Métis rebel leader Louis Riel (pictured) with the newly established Canadian government. It begins shortly before the 1869 Red River Rebellion, and ends with Riel's 1885 hanging for high treason. The book explores the possibly schizophrenic aspect of Riel's personality—he believed God had named him Prophet of the New World, destined to lead the Métis people to freedom. The work is noted for its emotional disengagement, its intentionally flat dialogue, and a minimalist drawing style inspired by Harold Gray's comic strip Little Orphan Annie. The lengthy, hand-lettered appendix provides insight on Brown's creative process and biases, and highlights where he changed historical facts to create a more engaging story. It was the first comic book to receive a grant from the Canada Council for the Arts. It was critically well received, and won three Harvey Awards. The original serialization (1999–2003) sold poorly, but the book version was a surprise bestseller. Its success played a major part in gaining shelf space for serious graphic novels in mainstream North American bookstores.

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Batman (originally referred to as the Bat-Man and still sometimes as the Batman) is a DC Comics fictional superhero who first appeared in Detective Comics #27 in May 1939. He has since become, along with Superman and Spider-Man, one of the world's most recognized superheroes. Batman was co-created by artist Bob Kane and writer Bill Finger, although only Kane receives official credit for the character. Batman's secret identity is Bruce Wayne, billionaire industrialist, playboy, and philanthropist. Witnessing the murder of his parents as a child leads him to train himself to the peak of physical and intellectual perfection, don a costume, and fight crime. Unlike most superheroes, he does not possess any superhuman powers or abilities; he makes use of intellect, detective skills, technology, and physical prowess in his war on crime.

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...that 1999's Scooby-Doo! Mystery of the Fun Park Phantom was the first commercial Scooby-Doo computer game for the Windows platform?

...that the Young Justice episode "Independence Day" introduces a younger version of the DC Universe?

...that Friz Freleng's 1937 cartoon Clean Pastures narrowly evaded Hollywood Production Code censors, before being removed from distribution by United Artists in 1968?

...that pixel artists are featured in an annual juried art show, "Into the Pixel", at the E3 trade show for computer and video game industries?

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The episodes of The Bellflower Bunnies, a children's animated series based on the Beechwood Bunny Tales books by Geneviève Huriet, Amélie Sarn and Loïc Jouannigot. It debuted on TF1, a French television network, on 24 December 2001. The series is written by Valérie Baranski, and produced by Patricia Robert. The show centres on the adventures and exploits of the Bellflower family, a clan of seven rabbits who live in Beechwood Grove. The two adults in the family, Papa Bramble and Aunt Zinnia, take care of their five children: Periwinkle, Poppy, Mistletoe, Dandelion and Violette. The series has also been broadcast on CBC Television and TFO in Canada, KI.KA in Germany, Portugal's RTP in the Azores, and in several other countries. The show has fifty-two episodes: four in the first season, twenty-two in the second, and twenty-six in the third. In the entire series, thirteen are based directly on installments in Beechwood Bunny Tales, published by Milan Presse of France and Gareth Stevens in the United States; the rest are based on scripts by Valérie Baranski. Distributors in Europe, North America, and South Korea have released DVDs of the first two seasons.

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Image 1Davy Jones' Locker, 1892 Punch cartoon by Sir John Tenniel (from Cartoon)
Image 2Cecil Rhodes, as The Rhodes Colossus, wishes for a railway stretching across Africa from the Cape of Good Hope to Egypt. (from Political cartoon)
Image 3U.S. President Theodore Roosevelt introduces Taft as his crown prince: Puck magazine cover, 1906. (from Political cartoon)
Image 41899 cartoon showing Uncle Sam lecturing four children labeled Philippines, Hawaii, Puerto Rico, and Cuba. The caption reads: "School Begins. Uncle Sam (to his new class in Civilization)!" (from Political cartoon)
Image 5Nast depicts the Tweed Ring: "Who stole the people's money?" / "'Twas him."
Image 61903 political cartoon. The U.S.'s intentions to influence the area (especially the Panama Canal construction and control) led to the separation of Panama from Colombia. (from Political cartoon)
Image 7John Leech, Substance and Shadow (1843), published as Cartoon, No. 1 in Punch, the first use of the word cartoon to refer to a satirical drawing (from Cartoon)
Image 8James Gillray's The Plumb-pudding in Danger (1805). The world being carved up into spheres of influence between Pitt and Napoleon. According to Martin Rowson, it is "probably the most famous political cartoon of all time—it has been stolen over and over and over again by cartoonists ever since." (from Political cartoon)
Image 9An editorial cartoon of Andrew Johnson and Abraham Lincoln, 1865, entitled The Rail Splitter at Work Repairing the Union. The caption reads: (Johnson): "Take it quietly Uncle Abe and I will draw it closer than ever." (Lincoln): "A few more stitches Andy and the good old Union will be mended." (from Political cartoon)
Image 10Stop-motion animated character from 20 Million Miles to Earth (1957). (from Animator)
Image 11An animated cartoon horse, drawn by rotoscoping from Eadweard Muybridge's 19th-century photos
Image 12A Rake's Progress, Plate 8, 1735, and retouched by William Hogarth in 1763 by adding the Britannia emblem. (from Political cartoon)
Image 13Thomas Nast depicts the Tweed Ring: "Who stole the people's money?" / "'Twas him." (from Political cartoon)
Image 14A cartoon map of Europe in 1914, at the beginning of World War I. (from Political cartoon)
Image 151942 political cartoon by Dr. Seuss (from Political cartoon)
Image 16Benjamin Franklin's Join, or Die (May 9, 1754), credited as the first cartoon published in an American newspaper (from Cartoonist)

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Alfonso "Al" Williamson (March 21, 1931 – June 12, 2010) was an American cartoonist, comic book artist and illustrator specializing in adventure, Western and science-fiction/fantasy. Born in New York City, he spent much of his early childhood in Bogotá, Colombia before moving back to the United States at the age of 12. In his youth, Williamson developed an interest in comic strips, particularly Alex Raymond's Flash Gordon. He took art classes at Burne Hogarth's Cartoonists and Illustrators School, there befriending future cartoonists Wally Wood and Roy Krenkel, who introduced him to the work of illustrators who had influenced adventure strips. Before long, he was working professionally in the comics industry. His most notable works include his science-fiction/heroic fantasy art for EC Comics in the 1950s, on titles including Weird Science and Weird Fantasy. In the 1960s, he gained recognition for continuing Raymond's illustrative tradition with his work on the Flash Gordon comic-book series, and was a seminal contributor to the Warren Publishing's black-and-white horror comics magazines Creepy and Eerie. Williamson spent most of the 1970s working on his own credited strip, another Raymond creation, Secret Agent X-9. The following decade, he became known for his work adapting Star Wars films to comic books and newspaper strips. From the mid-1980s to 2003, he was primarily active as an inker, mainly on Marvel Comics superhero titles starring such characters as Daredevil, Spider-Man, and Spider-Girl.

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Main projects: Arts • Animation • Comics • Entertainment • Visual arts

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Related Projects: Anime and manga • Biography • Film • Fictional characters • Media franchises • Music • Television • Video games

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A good film is one that requires the viewer to create, through an orchestration of impressions, the meaning of its events. It is, in the end, our ability to create meaning out of the raw experience of life that makes us human. It is the exercise of our faculty to discover meaning which is the purpose of art. The didactic imparting of moral or political messages is emphatically not the purpose of art -- that is what we call propaganda.

— Peter Chung, Korean animator, series creator of Æon Flux

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