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Paul Howard (artist curator)

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Paul Howard (born 1967, Brighton, Sussex, England) is an English contemporary artist curator.

Currently based in Sydney, Australia, and Visual Arts Curator at Blacktown Arts Centre. Recent projects include diaspora-making machines[1] exhibition; It's Our Thing: More History on Australian Hip-Hop[2] program curated with Kon Gouriotis and Maria Mitar; It's Timely[3] touring exhibition curated with Gary Carsley;[4] Riverstones and Ramifications: Bronwyn Bancroft;[5] Stitching the Sea exhibition curated with Karen Ruki; UNCOVERED: Hidden Pleasure of the Day[6] exhibition; and Native Institute exhibition curated with Brook Andrew.

AquaVoltaic is an international touring exhibition created with David Matthews.[7] The Australian version was exhibited with the latest episode at The Lock-Up contemporary arts space in 2015.[8] In the UK the exhibition toured with additional episodes created for each venue installation: B-Side Festival[9] 2012 Cultural Olympiad;[10] Metal Liverpool; and Metal Southend. The project was produced with artist curator Simon Poulter. AquaVoltaic is a commentary on the commercial use and abuse of water, and a satire of globalisation and popular media. After buying a consignment of water from a shady Nigerian in Sierra Leone, quixotic Afro-Caribbean businessman John Jay-Jay Joseph attempts to smuggle his booty through Essex and London to Outback Australia, where he intends to sell it to a mysterious Aboriginal tribe with magical realist ambitions. But when Jay-Jay's bizarre plans go awry, the transaction between him and the other ethnics unravels a darkly comic tale that raises questions about racial stereotyping, global trade, and the mutating qualities of water.[citation needed]

Rush Hour was a UK national touring exhibition in 2007 to coincide with the 200 year anniversary of the Abolition of the Transatlantic Slave Trade Act in the British Empire, created with David Matthews. The picture was shot as a single-take in Siaka Stevens Street in Freetown and the soundtrack recorded at the Sierra Leone State Television Studios with the street theatre group, The Freetong Players. Rush Hour was shown at HPF2011[11] and in 2010 at the inaugural exhibition entitled 'Plug-In' at MAC (Midlands Arts Centre). Curator Simon Poulter commented: "Rush Hour gives the exhibition a true sense of globalisation at work. A single tracking shot courses through a static crowd in Freetown, Sierra Leone. The film beautifully encapsulates Marshall McLuhan's idea of the global village, where we see western influences alongside truly local culture."[citation needed]

Other notable works include Starship Enterprise, a seven-minute animation and limited edition print, and Restoration, a five-minute animation and limited edition print, exhibited at Whitechapel Art Gallery, London, Ormeau Baths Gallery, Belfast, Substation, Singapore and Muse London, from 2005 to 2007.[citation needed]

The Museum of London Docklands permanent exhibition, London, Sugar and Slavery,[12] reveals how London's involvement in slavery has shaped the capital since the 17th century, and challenges perceptions about the transatlantic slave trade. Paul Howard's commission for the permanent gallery is a contemporised portrait of the son of a slave, revolutionary and abolitionist, Robert Wedderburn, and is based on the museum's painting of the first chairman of the West India Dock Company and slave owner Sir George Hibbert.[13] Lloyd Gordon as Robert Wedderburn was reviewed in The Guardian[14] and The Independent.[15]

Paul Howard was Curator at Tate Modern from 2003 to 2008. He led the UK national collections initiative across the Tate galleries in London, Liverpool and St Ives, from 2003 to 2006, and led the pan-European programme of modern and contemporary art with the Irish Museum of Modern Art, Dublin, Serralves Museum, Porto, Museum of Contemporary Art, Zagreb, National Gallery of Modern Art, Prague, Centre of Contemporary Art, Warsaw and the Pinokotek Moderne, Munich from 2006 to 2008.[citation needed]

References

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  1. ^ "Diaspora-Making Machines | Exhibition Roomsheet by Blacktown Arts Centre". Issuu.com. 30 September 2016. Retrieved 14 December 2016.
  2. ^ "It's Our Thing | Exhibition Catalogue by Blacktown Arts Centre". Issuu.com. Retrieved 14 December 2016.
  3. ^ "It's Timely | Exhibition Catalogue by Blacktown Arts Centre". Issuu.com. Retrieved 14 December 2016.
  4. ^ "Gary Carsley | UNSW Art & Design". Artdesign.unsw.edu.au. Retrieved 14 December 2016.
  5. ^ [1][dead link]
  6. ^ "Uncovered | Exhibition Catalogue by Blacktown Arts Centre". Issuu.com. Retrieved 14 December 2016.
  7. ^ "Author Details : David Matthews". Harpercollins.co.uk. Retrieved 14 December 2016.
  8. ^ "PAUL HOWARD - DAVID MATTHEWS - The Lock-Up". Thelockup.org.au. Retrieved 14 December 2016.
  9. ^ "Paul Howard and David Matthews | b-side multimedia arts festival". B-side.org.uk. Retrieved 14 December 2016.
  10. ^ "b-side 2012 Festival Brochure by Robert Foddering". Issuu.com. 18 July 2012. Retrieved 14 December 2016.
  11. ^ "Hereford Photography Festival". Photofest.org. Archived from the original on 22 August 2013. Retrieved 14 December 2016.
  12. ^ "Archived copy" (PDF). Archived from the original (PDF) on 12 June 2015. Retrieved 24 January 2016.{{cite web}}: CS1 maint: archived copy as title (link)
  13. ^ "London, Sugar & Slavery Opens At Museum In Docklands". Culture24.org.uk. 20 July 2015. Retrieved 14 December 2016.
  14. ^ Kennedy, Maev (8 November 2007). "Slave owner and abolitionist come face to face". The Guardian.
  15. ^ "Slave's son who inspired the Chartists gets credit at last" (PDF). Paulhoward.info. Retrieved 14 December 2016.
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