Genesis
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About this ebook
Eduardo Galeano’s monumental three-volume retelling of the history of the New World begins with Genesis, a vast chain of legends sweeping from the birth of creation to the era of savage colonialism. Through lyrical prose and deep understanding, Galeano (author of the celebrated Open Veins of Latin America) recounts creation myths, pre-Columbian societies, and the brutality of conquest, from the Andes to the Great Plains.
Galeano’s project to restore to history “breath, liberty, and the word” unfolds as a unique, powerful work of literature. This daring masterpiece sets the past free, weaving a new kind of history from mythology, silenced voices, and the clash of worlds. Genesis is the first book of the Memory of Fire trilogy, which continues with Faces and Masks and Century of the Wind.
Eduardo Galeano
Eduardo Galeano (1940-2015) is the author of Upside Down, the Memory of Fire trilogy (for which he won the 1989 American Book Award), Open Veins of Latin America, and many other works. He lived in Montevideo, Uruguay.
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Reviews for Genesis
111 ratings6 reviews
- Rating: 3 out of 5 stars3/5I liked Galeano's approach to non-fiction here and enjoyed reading the vignettes at first. It became harder and harder for me to follow after a while, though, and I found myself wishing I was just reading one solid story instead of bouncing around the Americas each page. This is just my preference and no real fault of the text--the text is beautiful and heartbreaking and creative. I may pick up the next book in the trilogy a little while down the line.
- Rating: 5 out of 5 stars5/5When I was a young reader, somewhere between 12 and 15 years old, I read Snorri Sturluson’s Heimskringla: History of the Kings of Norway. I was enamored with mythology and epics and Vikings and the sources of Tolkien’s Middle Earth. The Heimskringla certainly satisfied my cravings for those things but it also had a very unexpected result. It finally severed my remaining faith in, or relationship with, Catholicism and Christianity. Beautifying a man who slaughtered people and converted them with the choice of Christianity or the sword was not my idea of a Saint. What would Jesus Do? Pass. No Sainthood for you. Please take the elevator on the right. It only goes down. This was another example where the institutions, dogma, and priests corrupted the legacy of the man upon which the religion was founded.Eduardo Galeano’s Genesis is full of the same crimes of genocide and greed approved and sanctioned by the pontiff and the Church. But this time, the narrative was closer to home, on the borrowed shores of my own country and continent. The Incas, the Aztecs, the Mayans, Mapuche, the Araucarias, and so many other cultures put to the sword or enslaved to work the mines, plantations, and houses of the colonizers. Their knowledge, heritage, medicines, and books were mostly destroyed by the ignorance and cruelty of the colonizers and the Inquisition. It’s bloody and shameful history, but it’s history that we need to know and acknowledge. It’s history we can use to break free of the cycle of colonial exploitation that is still alive and well. Galeano shares this history in little vignettes of beautiful prose and poetry. It’s a great way to touch on the history of the America’s without the dullness and drabness of your standard history book. He tells the stories sometimes with humor, sometimes with irony, sometimes with grim detail. But always with that beautiful language that is the trademark of the best of the Latin and South American writers. Genesis is the first book of the trilogy and covers creation to 1700. I’m stuck in time because I don’t have the second book yet. The vagaries of my used book love means I’ve only happened across the first and third book. I’m particular about my books so I have to find a decent hardback edition somewhere in order to move my history lesson along. But I loved this book so I might have to scrape the dollars together to seek a copy out on the Internet instead of waiting to stumble across it during my bookstore peregrinations. Usually I would have waited to start the trilogy until I had all of the books in my possession but an article on the author prompted me to start despite my unpreparedness.Reading Galeano brought me back to those feelings of my adolescence and has me pondering spirituality and faith and the path I’ve been on for fifty-odd years. It’s made me ponder racial prejudice and entitlement and the role imperialism has in perpetuating those vices. That’s what the best writers and books do for me. And unlike the purity-obsessed Spaniards of the 16th century, I’d be proud to have the blood of the indigenous Americans flowing in my veins. My heart goes out to them and I am sorry for any part my ancestors played in this sad history. But I will finish this trilogy and can see myself revisiting it again just as I do the more familiar histories and stories of the native North American cultures.
- Rating: 4 out of 5 stars4/5Completed book one of Memory of Fire by Galeano. A history of Americas from early beginnings of the indigenous people up to the beginning of the 1700s. History with commentary, written with perspective of the people makes it a living history story.
- Rating: 5 out of 5 stars5/5I don’t know to what literary form this voice of voices belongs. Memory of Fire is not an anthology, clearly not; but I don’t know if it is a novel or essay or epic poem or testament or chronicle or . . . Deciding robs me of no sleep. I do not believe in the frontiers that, according to literature’s customs officers, separate the forms.I did not want to write an objective work—neither wanted to nor could. There is nothing neutral about this historical narration. Unable to distance myself, I take sides; I confess it and am not sorry. However, each fragment of this huge mosaic is based on a solid documentary foundation. What is told here has happened, although I tell it in my style and manner.Forty pages of creation myths are followed by many short chapters from less than a page to a couple of pages in length, each headed by the date and place and describing one event and adding another piece to the jigsaw that is the history of the Americas. Sources are given for each chapter, and as well as books written by historians, Galeano has used lots of primary sources, written by people who were actually there. This gives the book a really immediate quality, full of the wonders of this new world, which may not have contained the expected cities made of gold, but did have strawberries and pineapples, rain forests, jaguars and turtles, and of course chocolate.This volume, which covers the years 1492 to 1700 mostly covers Latin America and the Caribbean since they were the first to be colonised by Europeans, but there are some references to events in North America. Very few Spaniards come out of this book with any credit., but there are a few, Bartolomé de las Casas and Álvar Núñez Cabeza de Vaca among them.I bought this book after seeing several rave reviews online, and found this unique book a marvellous introduction to the history of an area I didn't know much about.
- Rating: 5 out of 5 stars5/5In the beginning of the third volume of this work the author himself states that he ignores to what genre the book belongs: narrative, essay, epic poetry, cronicle, testimony... maybe all of them, maybe none. Indeed, if one's objective is to pigeonhole this work, he or she is most likely at a loss, but if one is not worried at all about this type of classification activities and just wants to enjoy the fruition of a great work, this is an unqualified masterpiece. Without doubt, one of the most impressive, nay perfect, works of literature I ever read. The author embarks on a five centuries voyage through the history of America (mainly, but not exclusively, Latin America) in a work that not only conveys the history, but all the rest: the smells, the colours,and the sounds; the deserts, the islands, the mountains, the rivers, and the jungles; the lives, the main events sometimes at an amazing new perspective, the unknown and almost insignificant events shading a new light on the whole, the famous and the anonymous; the battles, the revolutions, the counter revolutions, the strikes, the day to day livin$ the football matches, the soap operas... Each chapter is something between a half and two pages; it is headed by the year and the place, a title and then the vignette about something or someone, written in the beautiful and intense, sometimes ironic, prose of Galeano; it ends with a reference to the sources, listed in the bibliography, upon which the episode was based (and there is more then a thousand of them for the three volumes...) A chapter can be either directly connected with a latter one, where the story is continued, or only indirectly so, but in either case different chapters, even when unconnected, slowly builds up the story in an almost impressionistic way: small pieces building up the large picture, with the occasional broad stroke to organize the canvas. It is really impossible to convey the sheer beauty of some of the chapters, and the overwhelming sense of admiration with which I completed the reading of the three volumes. The work was originally published between 1982 and 1986, and the first volume starts with a number of native American founding myths and then covers the years from the arrival of the Europeans in 1492 to the end of the 17th Century.
- Rating: 5 out of 5 stars5/5The first in a three-part series, this book is absolutely lovely. Galeano is able to paint a vivid picture of both tragedy and beauty in an enticing fasion. I read the other two books and they are also highly recommended.
Book preview
Genesis - Eduardo Galeano
FIRST VOICES
The Creation
The woman and the man dreamed that God was dreaming about them.
God was singing and clacking his maracas as he dreamed his dream in a cloud of tobacco smoke, feeling happy but shaken by doubt and mystery.
The Makiritare Indians know that if God dreams about eating, he gives fertility and food. If God dreams about life, he is born and gives birth.
In their dream about God’s dream, the woman and the man were inside a great shining egg, singing and dancing and kicking up a fuss because they were crazy to be born. In God’s dream happiness was stronger than doubt and mystery. So dreaming, God created them with a song:
I break this egg and the woman is born and the man is born. And together they will live and die. But they will be born again. They will be born and die again and be born again. They will never stop being born, because death is a lie.
(51)*
* This number indicates the source consulted by the author, as listed at the end of the book.
Zeit
For the Maya, time was born and had a name when the sky didn’t exist and the earth had not yet awakened.
The days set out from the east and started walking.
The first day produced from its entrails the sky and the earth.
The second day made the stairway for the rain to run down.
The cycles of the sea and the land, and the multitude of things, were the work of the third day.
The fourth day willed the earth and the sky to tilt so that they could meet.
The fifth day decided that everyone had to work.
The first light emanated from the sixth day.
In places where there was nothing, the seventh day put soil; the eighth plunged its hands and feet in the soil.
The ninth day created the nether worlds; the tenth earmarked for them those who had poison in their souls.
Inside the sun, the eleventh day modeled stone and tree.
It was the twelfth that made the wind. Wind blew, and it was called spirit because there was no death in it.
The thirteenth day moistened the earth and kneaded the mud into a body like ours.
Thus it is remembered in Yucatán.
(208)
The Sun and the Moon
The first sun, the watery sun, was carried off by the flood. All that lived in the world became fish.
The second sun was devoured by tigers.
The third was demolished by a fiery rain that set people ablaze.
The fourth sun, the wind sun, was wiped out by storm. People turned into monkeys and spread throughout the hills.
The gods became thoughtful and got together in Teotihuacán.
Who will take on the job of dawning?
The Lord of the Shells, famous for his strength and beauty, stepped forward. I’ll be the sun,
he said.
Who else?
Silence.
Everybody looked at the Small Syphilitic God, the ugliest and wretchedest of all gods, and said, You.
The Lord of the Shells and the Small Syphilitic God withdrew to the hills that are now the pyramids of the sun and the moon. There they fasted and meditated.
Afterward the gods piled up firewood, made a bonfire, and called to them.
The Small Syphilitic God ran up and threw himself into the flames. He immediately emerged, incandescent, in the sky.
The Lord of the Shells looked at the bonfire with a frown, moved forward, backward, hesitated, made a couple of turns. As he could not decide, they had to push him. After a long delay he rose into the sky. The gods were furious and beat him about the face with a rabbit, again and again, until they extinguished his glow. Thus, the arrogant Lord of the Shells became the moon. The stains on the moon are the scars from that beating.
But the resplendent sun didn’t move. The obsidian hawk flew toward the Small Syphilitic God. Why don’t you get going?
The despised, purulent, humpbacked, crippled one answered, Because I need blood and power.
This fifth sun, the sun that moves, gave light to the Toltecs and gives it to the Aztecs. He has claws and feeds on human hearts.
(108)
The Clouds
Cloud let fall a drop of rain on the body of a woman. After nine months, she had twins.
When they grew up, they wanted to know who their father was.
Tomorrow morning early,
she said, look toward the east. You’ll see him there, up in the sky like a tower.
Across earth and sky, the twins went in search of their father.
Cloud was incredulous and demanded, Show me that you are my children.
One of the twins sent a flash of lightning to the earth. The other, a thunderclap. As Cloud was still doubtful, they crossed a flood and came out safe.
Then Cloud made a place for them by his side, among his many brothers and nephews.
(174)
The Wind
When God made the first of the Wawenock Indians, some bits of clay remained on the earth. With these bits Gluskabe made himself.
From on high, God asked in astonishment, "Well, where did you come from?"
I’m miraculous,
said Gluskabe. Nobody made me.
God stood beside him and reached out his hand toward the universe. Look at my work,
he challenged. If you’re miraculous, show me things you have invented.
I can make wind, if you like.
And Gluskabe blew at the top of his lungs.
The wind was born and immediately died.
I can make wind,
Gluskabe admitted shamefacedly, but I can’t make it stay.
Then God blew, so powerfully that Gluskabe fell down and lost all his hair.
(174)
The Rain
In the region of the great northern lakes, a little girl suddenly discovered she was alive. The wonders of the world opened her eyes and she took off at random.
Following the trail of the Menomenee nation’s hunters and woodcutters, she came to a big log cabin. There lived ten brothers, birds of the thunder, who offered her shelter and food.
One bad morning, when she was fetching water from the creek, a hairy snake caught her and carried her into the depths of a rocky mountain. The snakes were about to eat her up when the little girl sang.
From far away, the thunder birds heard the call. They attacked the rocky mountain with lightning, rescued the prisoner, and killed the snakes.
The thunder birds left the little girl in the fork of a tree.
You’ll live here,
they told her. We’ll come every time you sing.
Whenever the little green tree frog sings from his tree, the thunderclaps gather and it rains upon the world.
(113)
The Rainbow
The forest dwarfs had caught Yobuënahuaboshka in an ambush and cut off his head.
The head bumped its way back to the land of the Cashinahuas.
Although it had learned to jump and balance gracefully, nobody wanted a head without a body.
Mother, brothers, countrymen,
it said with a sigh, Why do you reject me? Why are you ashamed of me?
To stop the complaints and get rid of the head, the mother proposed that it should change itself into something, but the head refused to change into what already existed. The head thought, dreamed, figured. The moon didn’t exist. The rainbow didn’t exist.
It asked for seven little balls of thread of all colors.
It took aim and threw the balls into the sky one after the other. The balls got hooked up beyond the clouds; the threads gently unraveled toward the earth.
Before going up, the head warned: Whoever doesn’t recognize me will be punished. When you see me up there, say: ‘There’s the high and handsome Yobuënahuaboshka!’
Then it plaited the seven hanging threads together and climbed up the rope to the sky.
That night a white gash appeared for the first time among the stars. A girl raised her eyes and asked in astonishment: What’s that?
Immediately a red parrot swooped upon her, gave a sudden twirl, and pricked her between the legs with his sharp-pointed tail. The girl bled. From that moment, women bleed when the moon says so.
Next morning the cord of seven colors blazed in the sky.
A man pointed his finger at it. Look, look! How extraordinary!
He said it and fell down.
And that was the first time that someone died.
(59)
Day
The crow, which now dominates the totem of the Haida nation, was the grandson of that great divine chief who made the world.
When the crow wept asking for the moon, which hung from the wall of tree trunks, his grandfather gave it to him. The crow threw it into the sky through the chimney opening and started crying again, wishing for the stars. When he got them he spread them around the moon.
Then he wept and hopped about and screamed until his grandfather gave him the carved wooden box in which he kept daylight. The great divine chief forbade him to take the box out of the house. He had decided that the world should live in the dark.
The crow played with the box, pretending to be satisfied, but out of the corner of his eye he watched the guards who were watching him.
When they weren’t looking, he fled with the box in his claw. The point of the claw split passing through the chimney, and his feathers were burned and stayed black from then on.
The crow arrived at some islands off the northern coast. He heard human voices and asked for food. They wouldn’t give him any. He threatened to break the wooden box.
I’ve got daylight in here,
he warned, and if it escapes, the sky will never put out its light. No one will be able to sleep, nor to keep secrets, and everybody will know who is people, who is bird, and who is beast of the forest.
They laughed. The crow broke open the box, and light burst forth in the universe.
(87)
Night
The sun never stopped shining and the Cashinahua Indians didn’t know the sweetness of rest.
Badly in need of peace, exhausted by so much light, they borrowed night from the mouse.
It got dark, but the mouse’s night was hardly long enough for a bite of food and a smoke in front of the fire. The people had just settled down in their hammocks when morning came.
So then they tried out the tapir’s night. With the tapir’s night they could sleep soundly and they enjoyed the long and much-deserved rest. But when they awoke, so much time had passed that undergrowth from the hills had invaded their lands and destroyed their houses.
After a big search they settled for the night of the armadillo. They borrowed it from him and never gave it back.
Deprived of night, the armadillo sleeps during the daytime.
(59)
The Stars
By playing the flute love is declared, or the return of the hunters announced. With the strains of the flute, the Waiwai Indians summon their guests. For the Tukanos, the flute weeps; for the Kalinas it talks, because it’s the trumpet that shouts.
On the banks of the Negro River, the flute confirms the power of the men. Flutes are sacred and hidden, and any woman who approaches deserves death.
In very remote times, when the women had the sacred flutes, men toted firewood and water and prepared the cassava bread. As the men tell it, the sun got indignant at the sight of women running the world, so he dropped into the forest and fertilized a virgin by slipping leaf juices between her legs. Thus was born Jurupari.
Jurupari stole the sacred flutes and gave them to the men. He taught the men to hide them and defend them and to celebrate ritual feasts without women. He also told them the secrets they were to transmit to their male children.
When Jurupari’s mother found where the sacred flutes were hidden, he condemned her to death; and with the bits that remained of her he made the stars of the sky.
(91 and 112)
The Milky Way
No bigger than a worm, he ate the hearts of birds. His father was the best hunter of the Moseten people.
Soon he was a serpent as big as an arm. He kept asking for more hearts. The hunter spent the whole day in the forest killing for his son.
When the serpent got too big for the shack, the forest had been emptied of birds. The father, an expert bowman, brought him jaguars’ hearts.
The serpent devoured them and grew. Then there were no more jaguars in the forest.
I want human hearts,
said the serpent.
The hunter emptied his village and its vicinity of people, until one day in a far-off village he was spotted on a tree branch and killed.
Driven by hunger and nostalgia, the serpent went to look for him.
He coiled his body around the guilty village so that no one could escape. While the men let fly all their arrows against this giant ring that had laid siege to them, the serpent rescued his father’s body and grew upward. There he can still be seen undulating, bristling with luminous arrows, across the night sky.
(174)
The Evening Star
The moon, stooping mother, asked her son, I don’t know where your father is. Find him and give him word of me.
The son took off in search of the brightest of all lights. He didn’t find him at noontime, when the sun of the Tarascan people drinks his wine and dances with his women to the beat of drums. He didn’t find him on the horizons and in the regions of the dead. The sun wasn’t in any of his four houses.
The evening star is still hunting his father across the sky. He always arrives too early or too late.
(55)
Sprache
The First Father of the Guaranís rose in darkness lit by reflections from his own heart and created flames and thin mist. He created love and had nobody to give it to. He created language and had no one to listen to him.
Then he recommended to the gods that they should construct the world and take charge of fire, mist, rain, and wind. And he turned over to them the music and words of the sacred hymn so that they would give life to women and to men.
So love became communion, language took on life, and the First Father redeemed his solitude. Now he accompanies men and women who sing as they go:
We’re walking this earth,
We’re walking this shining earth.
(40 and 192)
Fire
The nights were icy because the gods had taken away fire. The cold cut into the flesh and words of men. Shivering, they implored with broken voices; the gods turned a deaf ear.
Once, they gave fire back and the men danced for joy, chanting hymns of gratitude. But soon the gods sent rain and hail and put out the bonfires.
The gods spoke and demanded: to deserve fire, men must cut open their chests with obsidian daggers and surrender their hearts.
The Quiché Indians offered the blood of their prisoners and saved themselves from the cold.
The Cakchiquels didn’t accept the bargain. The Cakchiquels, cousins of the Quichés and likewise descended from the Mayas, slipped away on feathered feet through the smoke, stole the fire, and hid it in their mountain caves.
(188)
The Forest
In a dream, the Father of the Uitoto Indians glimpsed a shining mist. The mist was alive with mosses and lichens and resonant with winds, birds, and snakes. The Father could catch the mist, and he held it with the thread of his breath. He pulled it out of the dream and mixed it with earth.
Several times he spat on the misty earth. In the foamy mash the forest rose up, trees unfolded their enormous crowns, fruit and flowers erupted. On the moistened earth the grasshopper, the monkey, the tapir, the wild boar, the armadillo, the deer, the jaguar, and the anteater took shape and voice. Into the air soared the golden eagle, the macaw, the vulture, the hummingbird, the white heron, the duck, and the bat.
The wasp arrived in a great hurry. He left toads and men without tails and then rested.
(174)
The Cedar
The First Father conjured the world to birth with the tip of his wand and covered it with down.
Out of the down rose the cedar, the sacred tree from which flows the word. Then the First Father told the Mby’a-guaranís to hollow out the trunk and listen to what it had in it. He said that whoever could listen to the cedar, the casket of words, would know where to establish his hearth. Whoever couldn’t would return to despised dust.
(192)
The Guaiacum Tree
A young woman of the Nivakle people was going in search of water when she came upon a leafy tree, Nasuk, the guaiacum, and felt its call. She embraced its firm trunk, pressing her whole body against it, and dug her nails into its bark. The tree bled.
Leaving it, she said, How I wish, Nasuk, that you were a man!
And the guaiacum turned into a man and ran after her. When he found her, he showed her his scratched shoulder and stretched out by her side.
(192)
Colors
White were once the feathers of birds, and white the skin of animals.
Blue now are those that bathed in a lake into which no river emptied and from which none was born. Red, those that dipped in the lake of blood shed by a child of the Kadiueu tribe. Earth-color, those that rolled in the mud, and ashen those that sought warmth in extinguished campfires. Green, those that rubbed their bodies in the foliage, white those that stayed still.
(174)
Liebe
In the Amazonian jungle, the first woman and the first man looked at each other with curiosity. It was odd what they had between their legs.
Did they cut yours off?
asked the man.
No,
she said, I’ve always been like that.
He examined her close up. He scratched his head. There was an open wound there. He said: Better not eat any cassava or bananas or any fruit that splits when it ripens. I’ll cure you. Get in the hammock and rest.
She obeyed. Patiently she swallowed herb teas and let him rub on pomades and unguents. She had to grit her teeth to keep from laughing when he said to her, Don’t worry.
She enjoyed the game, although she was beginning to tire of fasting in a hammock. The memory of fruit made her mouth water.
One evening the man came running through the glade. He jumped with excitement and cried, I found it!
He had just seen the male monkey curing the female monkey in the arm of a tree.
That’s how it’s done,
said the man, approaching the woman.
When the long embrace ended, a dense aroma of flowers and fruit filled the air. From the bodies lying together came unheard of vapors and glowings, and it was all so beautiful that the suns and the gods died of embarrassment.
(59)
The Rivers and the Sea
There was no water in the forest of the Chocos. God knew that the ant had it and asked her for some. She didn’t want to listen. God tightened her waist, making it permanently slim, and the ant exuded the water she kept in her belly.
Now tell me where you got it.
The ant led God to a tree that had nothing unusual about it.
Frogs and men with axes worked on it for four days and four nights, but the tree wouldn’t fall. A liana kept it from touching the ground.
God ordered the toucan, Cut it.
The toucan couldn’t, and for that was sentenced to eat fruit whole.
The macaw cut the liana with his hard, sharp beak.
When the water tree fell, the sea was born from its trunk and the rivers from its branches.
All of the water was sweet. It was the Devil that kept chucking fistfuls of salt into it.
(174)
The Tides
In olden times, winds blew unremittingly on Vancouver Island. Good weather didn’t exist, and there was no low tide.
Men decided to kill the winds. They sent in spies. The winter blackbird failed; so did the sardine. Despite his bad vision and broken arms, it was the sea gull that managed to dodge the hurricanes mounting guard on the house of the winds.
Then men sent in an army of fish led by the sea gull. The fish hurled themselves in a body against the door. The winds, rushing out, trod on them, slipping and falling one after another on the stingray, which pierced them with his tail and devoured them.
The west wind was captured alive. Imprisoned by the men, it promised that it would not blow continuously, that there would be soft air and light breezes, and that the waters would recede a couple of times a day so that shellfish could be gathered at low tide. They spared its life.
The west wind has kept its word.
(114)
Snow
I want you to fly!
said the master of the house, and the house took off and flew. It moved through the air in the darkness, whistling as it went, until the master ordered, I want you to stop here!
And the house stopped, suspended in the night and the falling snow.
There was no whale blubber to light the lamps, so the master gathered a fistful of fresh snow, and the snow gave him light.
The house landed in an Iglulik village. Someone came over to greet it, and when he saw the lamp lit with snow, exclaimed, The snow is burning!
and the lamps went out.
(174)
The Flood
At the foot of the Andes, the heads of communities had a meeting. They smoked and discussed.
The tree of abundance reared its rich crown far above the roof of the world. From below could be seen the high branches bent by the weight of fruit, luxuriant with pineapples, coconuts, papayas, guanábanas, corn, cassava, beans …
Mice and birds enjoyed the feast. People, no. The fox went up and down giving himself banquets, sharing with no one. Men who tried to make the climb crashed to the ground.
What shall we do?
One of the chiefs conjured up an ax in his sleep. He awoke with a toad in his hand and struck it against the enormous trunk of the tree of abundance, but the little creature merely vomited up its liver.
That dream was lying.
Another chief, in a dream, begged the Father of all for an ax. The Father warned that the tree would get its own back but sent a red parrot. Grasping the parrot, the chief struck the tree of abundance. A rain of food fell to the ground, and the earth was deafened by the noise. Then the most unusual storm burst from the depths of the rivers. The waters rose, covering the world.
Only one man survived. He swam and swam for days and nights, until he could cling to the top of a palm tree that stuck out of the water.
(174)
The Tortoise
When the Flood receded, the Oaxaca Valley was a quagmire.
A handful of mud took on life and started walking. The tortoise walked very, very slowly. He moved with his head stretched out and his eyes very open, discovering the world that the sun was bringing back to life.
In a place that stank, the tortoise saw the vulture devouring corpses.
Take me to heaven,
he said. I want to meet God.
The vulture made him keep asking. The corpses were tasty. The tortoise stuck out his head in entreaty, then pulled it back under his shell, unable to stand the stench.
You who have wings, take me,
he begged.
Bored by his persistence, the vulture opened his huge black wings and flew off with the tortoise on his back. They flew through clouds, and the tortoise, his head tucked in, complained, How disgusting you smell!
The vulture pretended not to hear.
What a stink of putrefaction!
the tortoise repeated.
He kept it up until the hideous bird lost patience, leaned over brusquely, and threw him down to earth.
God came down from heaven and put the bits together.
The shell shows where the mends were.
(92)
The Parrot
After the Flood, the forest was green but empty. The survivor shot his arrows through the trees, and the arrows hit nothing but shadows and foliage.
One evening, after much walking and searching, the survivor returned to his refuge and found roast meat and cassava cakes. The same happened the next day, and the next. From desperate hunger and loneliness, he turned to wondering whom he had to thank for his good fortune. In the morning, he hid and waited.
Two parrots appeared out of the sky. No sooner had they alit on the ground than they turned into women. They lit a fire and started cooking.
The only man chose the one with the longest hair and the finest and brightest feathers. The other woman, scorned, flew off.
The Mayna Indians, descendants of this couple, curse their ancestor when their women turn lazy or grouchy. They say it’s all his fault because he chose the useless one. The other was mother and father of all the parrots living in the forest.
(191)
The Hummingbird
At dawn he greets the sun. Night falls and he’s still at work. He goes buzzing from branch to branch, from flower to flower, quick and necessary like light itself. At times he’s doubtful and pauses suspended in the air; at times he flies backward as no one else can. At times he’s a little drunk from all the honey he has sucked. As he flies, he emits flashes of color.
He brings messages from the gods, becomes a bolt of lightning to carry out their vengeance, blows prophecies in the ears of the soothsayers. When a Guaraní child dies, he rescues its soul, which lies in the calyx of a flower, and takes it in his long needle beak to the Land Without Evil. He has known the way there since the beginning of time. Before the world was born, he already existed; he freshened the mouth of the First Father with drops of dew and assuaged his hunger with the nectar of flowers.
He led the long pilgrimage of the Toltecs to the sacred city of Tula before bringing the warmth of the sun to the Aztecs.
As captain of the Chontals, he glides over the camps of the enemy, assesses their strength, dive-bombs them, and kills their chief in his sleep. As the sun of the Kekchis, he flies to the moon, takes her by surprise in her chamber, and makes love to her.
His body is the size of an almond. He is born from an egg no bigger than a bean, in a nest that fits inside a nut. He sleeps with a little leaf as covering.
(40, 206, and 210)
The Night Bird (Urutaú)
I am the daughter of misfortune,
said the chief’s daughter Ñeambiú, when her father forbade her love for a man of an enemy community.
She said it and fled.
After a while they found her in the Iguazú Mountains. They found a statue. Ñeambiú looked without seeing; her mouth was still and her heart asleep.
The chief sent for the one who deciphers mysteries and heals sicknesses. The whole community came out to witness the resurrection.
The shaman sought advice from mate tea and cassava wine. He went up to Ñeambiú and lied right into her ear:
The man you love has just died.
Ñeambiú’s scream turned all the people into weeping willows. She flew off, turned into a bird.
The screams of the urutaú, which shake the mountains at nighttime, can be heard more than half a league away. It’s difficult to see the urutaú, impossible to hunt him. No one can catch up with the phantom bird.
(86)
The Ovenbird
When he reached the age for the three manhood tests, this boy ran and swam better than anyone and spent nine days without food, stretched out by leather thongs, without moving or complaining. During the tests he heard a woman’s voice singing to him from far away, which helped him to endure.
The chief of the community decided that the boy should marry his daughter, but he took flight and got lost in the woods of the Paraguay River, searching for the singer.
There you still meet the ovenbird. He flaps his wings powerfully and utters glad sounds when he thinks the sought-after voice is flying his way. Waiting for the one who doesn’t come, he has built a house of mud, with the door open to the northern breeze, in a place secure from lightning.
Everyone respects him. He who kills the ovenbird or breaks his house draws the storm upon himself.
(144)
The Crow
The lakes were dry, the riverbeds empty. The Takelma Indians, dying of thirst, sent the