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Proms
October 2024
Why pop at the Proms hits the right note
Letters:
Roger Downie
and
Liz Fuller
respond to a letter on the ‘dumbing down’ of the Proms
September 2024
James Joyce’s glorious lists and pop’s place at the Proms
Last Night of the Proms review – pauses stretched patience but warmth and a Mexican wave won out
Miranda Sawyer on podcasts and radio
The week in audio: Sara & Cariad’s Weirdos Book Club; The Coming Storm; Proms 2024
The week in classical: Yuja Wang x Hockney; Proms 61 & 62: Bavarian Radio Symphony Orchestra/Rattle – review
‘Thrilling, unforgettable … there is nothing else like it!’: readers on their Proms highlights
Florence + the Machine: Symphony of Lungs review – one crescendo of ecstasy after another
Tell us your highlights from this Proms season
Proms 63-65: Choral Day review – classy choirs firing on all cyclinders
The week in classical: The Marriage of Figaro; Proms 53, 54, 55 & 56 – review
Prom 58: Orchestre de Paris/Mäkelä review – electrifying music-making from an elite team
Brief letters
Stand at the Proms rather than Oasis
Proms 55 and 56: Berlin Philharmonic/Petrenko review – spellbinding magic
Proms 53 and 54: BBCSO/Brabbins; Beethoven for Three
August 2024
Prom 49: Czech Philharmonic/Hrůša/Kobekina review – impassioned playing of Dvořák and less well known Suk
Bristol Proms/BBC Singers/Jeannin and BSO/Karabits/Glennie review – celebratory and thoughtful
Prom 45: BBCSO/Stasevska review – weighty premiere of a penniless composer’s symphony of love
Prom 44 Rotterdam Philharmonic/Shani review – a tour de force of conducting and pianism
Prom 42: Beethoven’s Ninth by Heart review – music and emotion made electrifyingly visual
Prom 41: Ensemble Resonanz/Minasi review – soloists shine in underpowered Mozart programme
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